![]() She loves her husband but doesn’t gloss over his challenging aspects. In her diary, Fraser writes, “I always paid special attention to any green shoots where Harold’s writing was concerned.” She supposes this was a “consequence of a biographer living with a creative artist.” But the flame never burns out for these two, consistent romantics until the end of his life. Fraser, a fair-minded diarist, never takes a gratuitous swing at either receding spouse.Įven though the lovebirds were worldly people in their early 40s, the early segments of Must You Go? are swoony, occasionally even eye-rolling swoony. After the initial shock, Fraser’s husband stepped aside, but Merchant held them hostage over divorce papers for several years, even as she declined into alcoholism. ![]() Their romance was a scandal in the English tabloids, as both were famous and long married to others: Fraser to a Tory member of Parliament, Pinter to actress Vivien Merchant. With Pinter, she clearly believes both wishes were fulfilled. Early on, she writes, she always wanted to be in love and always wanted to know a genius. Now Fraser, a popular historian, biographer and novelist, has returned the compliment. Throughout their life together, Pinter wrote her love poems. Her chronological memoir of their life together draws heavily on her diaries, with occasional second thoughts interspersed. They were, for more than 33 years, until his death on Christmas Eve 2008. They talked for hours, the beginning of what would quickly become a passion, then a romance, then a burning desire to be together. “He looked at me with those amazing, extremely bright black eyes. ![]() Trying to leave the soiree, she paid her parting respects to Pinter: In January 1975, Antonia Fraser went to the first-night shindig for a production of Harold Pinter’s play The Birthday Party because her brother-in-law had directed it.
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